The only models existing of this machine are in a poor state, probably broken, and this specific projector doesn't seem to be a very good one, as it's almost impossible to find pictures or information about on the internet. I can't remember ever seeing this puffed-up piece again.ДЇor someone, who is interested in these kinds of machines, it's a really interesting film to watch, since it show's a typical 50's 16mm Projector as it was, like we'll never see it: new. I continued to work at RCA for a few more years. But my bosses understood the corporate politics that I didn't at the time. It didn't speak to our dealers or their customers. It was overly pretentious then, as it is now. The planning was done at RCA's New York corporate headquarters. I remember standing aside, wondering what I missed. The white-gloved hands were 'special effects.' My bosses were exuberant, smiling, congratulating the agency people. Walter Thompson who put the film together. Then the lights went up, and I was introduced to executives from the Big New York Advertising Agency, J. I thought to myself that it was a disappointing waste of time and money. I thought I somehow had missed the boat! The disembodied hands, the uber-narration, the over-long presentation. A small group of us watched, including my boss, Herman Henken and his boss, John Taylor who was overall advertising manager.

Although I had worked on the 16mm line for about 2 years, I had no prior knowledge that such a production was planned, so it was a complete surprise to me to see it. One day I was called to the screening room to view this production.

Our #1 audience was 300+ audio-visual dealers who sold these products to schools, churches and industrial users. and Jr., magnetic recorder-projector and the Xenon projector. I handled advertising and sales promotion for RCA's line of 16mm projectors: the 400 Sr. in the Commercial Electronic Products division advertising department.

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